The Week in Media, The Sun, Camden Journal and Evening Standard

Every week we plan to have a brief perusal of the media, mostly newspapers, that have been making the stories, and actually asking if this is really journalism at its finest, for you, the very public it intends to serve. Going through with a fine toothcomb to what consists of reality and whether newspaper hacks are inadequate in gauging public opinion and newsworthy topics, or whether it’s just utter tosh to help politicians in their idealistic and segregated view of what the real world is, to which the people they claim to serve consist. This week’s offerings mostly come from the glorious ball in the sky as our shining beacon of light, The Sun. However this week, we’ve spoiled you with more than one day!

Newspapers

Peel back the skins

In the Wednesday Feb 20th edition a new healthy scare was unveiled.

Eating Chips once a week increases cancer by a third for men, “scientists say.” In an excerpt from the article – “A single portion every seven days may heighten the danger of prostate cancer by 30 to 37 per cent, according to a new study.”

French Fries

Did you know?, in Great Britain, it can cost up to 69 to 70 pence to import an apple. To secure a chip into our society it can cost as little as SEVEN (7p) pence. With the rise of cancer and the cheapness of imported food, and the myth of five fruits and vegetables a day is a healthier option, as those are costly to bring into the country than the ‘bad’ foods, surely this is a question for the government and its failings to support healthy living and then ‘blame it on the fatties’ later after plumping us up to drive economy for supermarkets forward on cheap produce?

What people will instantly say is “don’t eat them.” Is it really that simple? With budgeting and costly supermarkets alongside welfare cuts and timing for families unable to cook properly due to working all hours for a minor wage or on benefits to scrap the barrels feeling this is the only option as you can buy chips in bulk?

Contostavlos Canned by Cowell!

From Friday’s juicy offering Tulisa Contostavlos has finally been fired from the UK X Factor. Her time on the show was clearly over, but show executive Simon Cowell decided to remove the twenty-four year old from the judging panel. With a place open, and rumours rife, below is the list of X-ies possibly waiting in the wings.

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Mel B was intended to join the panel, though has signed to Australian X Factor and also takes the place of the former female judge on America’s Got Talent, joining Howie Mandel and Howard Stern.

This has left Sharon Osbourne, a former original on X Factor, at a loose end. Many fans feel Cowell is lining Mrs.O up for the job. We shall have more on this in a coming X Factor stratagem soon, though Sharon Osbourne’s time has passed on this show and would be extremely catastrophic to return.

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Rita Ora took a guest spot on the show last year after having one single. She has gone on to have a few more number one singles, of which the show loves to grab as an in-house uplifting of the show’s credentials for headline status which is redundant. It does not heighten the show. As for Ora, dubbed “Rita Whora” last year for allegedly cheating on Robert Kardashian did not gather favour as X Factor assumes. She would not be a good fit, but Cowell is desperate for a female, young and vibrant. Ora is 22.

Cowell has also said to “fight tooth and nail” to allow long-time pal Louis Walsh to remain on the show despite show producers eager to let Louis leave to reform the flagging TV series. Walsh has remained on the panel since its birth in 2003 as this year will be the tenth anniversary. Louis has previously been given the worst categories every year and usually crashes out of the completion first with no acts for weeks continuing into the live shows. It is clearly time for Walsh to go, however Simon Cowell has an unknown favour for his friend who has been carried every year, allowed to make nasty, “bitchy” and aggressive snipes at contestants and votes politically to maintain his acts for his own ego.

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ITV exec’s wish for Gary Barlow to remain. Barlow is seen as the noble, honest deliverance on screen. He gets some lines from FalseFabs too. 😀

There is one sadness in Tulisa’s demise. While her fag end has been stubbed out, we won’t have anymore “fag ash breath” to muse over!

Liberal Good-bye?

Browsing through The Camden Journal, (Feb 21st) on interesting story was the Liberal Democrat MP Emily Frith who has lost her seat for Hampstead and Kilburn “weeks after she was selected for the seat.”

She opted to take a new position in government civil service with the pre-requisite barring her from running for political office.

It comes amid a murky week of Lib Dems, with the fewest MPs falling in record numbers since the coalition in 2010 down to 57. Chris Huhne’s abdication recently and Nick Clegg suffering with party member Lord Rennard’s sexual allegations from inside the party from females has severely fractured the Lib Dem’s who lost immense support by dismissing their manifesto when going to former a coalition government with the Conservative Party.

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Dave disses BBC over candidate absence

Following this in Thursday’s Evening Standard, is Conservative Party henchman David Cameron claiming the BBC “behaved badly” after the Eastleigh by-election candidate missed the debate. Stating the BBC was “stupid” the Prime Minister, who has appeared on the BBC platform numerous times through his candidacy and elected role, and as his primary focus for news over other media outlets said of the missing candidate “Maria Hutchings will be an absolutely first class MP for Eastleigh. She is a local mother of four.” In an except from the paper “Mrs Hutchings is an outspoken figure whose views are at odds with those of Mr Cameron on Europe, abortion and gay marriage.” After a worker asked a question Cameron joked on an issue of money given to alcoholics. Cam said “I think I have found my new welfare minister here.”

cam hutchings

Image Credit: BBC

To finally end the lunacy of the week’s media was an exclusive! Read all about it, read all about it! Major Headline news! The Sun on Sunday delivered a sterling front page. Cheryl Cole’s ARSE! Wow. Fascinating. Cheryl’s derriere made mainstream news. Charming. Certainly a way to end on a, ahem, bum note.

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The Oscars 2013

The Oscars 2013

The 85th Academy Awards took place last night on Sunday 24th February. Below is the full list of winners from the evening with added mishaps, thrills and prestige.

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Host MacFarlane. Great set of Gnashers and Dickie Bow.

Best Supporting Actor – Christoph Waltz, Django Unchained

Best Short Film (Animated) – Paperman

Best Animation – Brave, Mark Andrews, Brenda Chapman

Best Cinematography – Life of Pi, Claudio Miranda

Best Costume Design – Jacqueline Durran, Anna Karenina

Best Hair and Make-up – Lisa Westcott, Les Miserables

Best Short – Curfew

Best Documentary Short – Inocente

Best Documentary – Searching for Sugar Man

Best Foreign Film – Amour, Austria

Best Sound Mixing – Andy Nelson, Mark Paterson and Simon Hayes, Les Miserables

Best Sound Editing – Zero Dark Thirty and Skyfall

Best Supporting Actress – Anne Hathaway, Les Miserables

Best Editing – William Goldenberg, Argo

Best Production Design – Rick Carte, Jim Erickson, Lincoln

Best Original Score – Mychael Danna, Life of Pi

Best Original Song – Skyfall

Best Adapted Screenplay – Chris Terrio, Argo

Best Original Screenplay – Quentin Tarrantino, Django Unchained

Best Director – Ang Lee, Life of Pi

Best Actress – Jennifer Lawrence, Silver Linings Playbook

Best Actor – Daniel Day-Lewis, Lincoln

Best Picture – Argo

Almost, if not every award was what False Fabs predicted and are pleased with the list. Honouring all those deserving and a batch of credible winners among candidates made this eighty-sixth awards bash a great contest based on talent, skill and sustained resolve. All graceful yet itching to win, we wrote in our BAFTA’s review a week or so ago on this site, about the steering towards Argo and Ang Lee’s displacements. Some may argue we are tough. Well you’re ‘wrong’ to assume this. We are highly impartial but mention the underline. As with the Oscars, Ang Lee nabbing the Director was highly deserved. Ang Lee’s sheer poignancy with piercing eye and forthcoming visuals with deep narrative structure to excel Life of Pi onto the screen was simply sensational.

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Tiger Lee kisses the gold!

Argo scooped the Picture nomination and this was also deserved for the film, though Ben Affleck’s presence surrounds it. The omission of Director for Affleck was seen as unjust. We have to disagree. We respect Affleck, however the Director nomination was based solely on Affleck’s presence, not the Directing and this was lower for recognition than those nominated who made headway so for that could potentially place him in ‘sixth’ place for example, meaning only five go through, obviously. Affleck did deserve the Picture, granted, alongside the other Oscar’s so he can be happy with that, surely.

ben affleck oscars

Beaming Benji! Argo a-got an Oscar for Best Picture.

As for Daniel Day-Lewis, now the first ever male to catch the triple crown for winning three Oscar’s for Actor had been a monumental achievement for the method actor, who is highly conformed to the roles he undertakes with severe precision, nobility and technique. The man thoroughly deserved to be placed as one of Hollywood’s enriched greats. Congrats to you, fine sir.

Third times a charm.

Jennifer Lawrence at the tender age of twenty-two, took home the Actress gong for Silver Lining’s Playbook. While a clear front-runner to win, Lawrence, with serenity, grace and dignified maturity has lined herself for a bright future in Hollywood, despite her fashion faux pas, tripping over her dress as she approached the podium for her honours. Her peers encouraged her recovery with respected applause. One moment of the flying birdie occurred not for the stumble, but when Lawrence spotted one photographer who was ‘THAT’ photographer to her. Done with pure style and taste, Lawrence could not be harmed whatever the outcome. Even a fabulous Dior dress could not stifle the radiant youngling.

jen lawrence

Controversial host and Family Guy creator Seth McFarlane sang with a “We saw your boobs” which was supposed to be funny but was really rather dry and tacky. Some glaring eyes were annoyed from the audience of those actresses mentioned, while others laughed along. I get the humour, believe me, but it was rather lame and probably shouldn’t have happened. Nothing good came from it and it had no real sustained impact in delivering for the host, the audience watching and in attendance as well as an awards ceremony, though managed to follow through after with a well-rounded, unpredicted hosting duties later on in the evening.

Tarrantino, and Waltz have earned their tremendous rights to their sheers talents in what may be unconventional film settings yet both have expert understanding of one another that shines through and the pair working together also cements that precision on stage. Waltz and Quentin have BOTH received all three grand slam awards taking Golden Globes, BAFTAs and Oscar’s for their portrayal of Django Unchained. Epic.

christoph waltz

quentin oscars

Adele took the song for Skyfall as expected and earned. Her performance of the Bond hit with a medley from Dame Shirley Bassey and Sir Tom Jones was a joy for the show in itself.

adele oscar sass

Sassy Songstress Adele.

On a parting note, I have to give immense plaudits to ones that may not be the ‘big’ news. These include the brilliance of Les Mis and the stunning Costume Design for Anna Karenina. Impeccable visuals, sound and style make them a must see regardless.

les mis oscars

Overall the awards were a sterling success. Gaining a nomination alone is a huge feat to receive but to take one home is the ultimate nod from Hollywood. To gain such important prestige can launch and support careers further in film, which should maintain the levels of talent in the room further along to ensure Hollywood keeps a sturdy place in producing really hot, quality films that have once again list an entire checklist for DVD’s and must see screenings for those who haven’t already seen the goods on offer, or to simply own a classic in the making.

jacqueline durran oscars

helena karenina

Helena Bonham Carter in Anna Karenina

Maybe next year the Oscar’s would also send me a VIP badge to report from the luxurious carpet and backstage hobnobbing with the stars. Cheap plug, but hey, I’m good for it! 😀

Images found via search engines of other sites, though ultimately belong to ‘The Academy.’ No copyright infringement intended and credit goes to them, overall.

The Brit Awards 2013

The Brit Awards 2013

Image Credit : Brits.co.uk

You didn’t think you’d get away with this one did you? Below in every item presented can be a vital way of reforming the broken formula in any product, service or award ceremony. I am available should you need to hire a new force. You should consider it.

In previous years the Brit Awards have been filled with controversy. While the Brits are avoiding this and that is not a problem itself, though fans and critics are asking for trouble for fun, this show can be a success without disaster. From politicians, musical performance interruptions and expletives galore, and the infamous Ronny Wood challenge the awards have been a right laugh for controversy and interest.

Many are panning this Wednesday, 20th Feb’s Brits as “bland.” I disagree. They weren’t bland. They were dire! Non-descript, empty and botched out, winners were unknown, undeserving or just plain randoms. One saving grace from the Brits has been the musical performances. A couple of years back the Brits reformed stating the performances were the focus (ludicrous to make your awards second place) but the sets were going to be amazing. There have been numerous sets in past years that were outstanding, unique and concert worthy. The mash up’s of 2009, including The Ting Tings and Estelle were further highlight even when the ‘big names’ finished or came later.

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The host has always been an imperative role. For the third, yes, third year running, lovely, bouncy, housewives favourite comedian James Corden was host of the show. This was one of its many problems. The assumption that everyone loves James Corden is an idiotic notion that the ceremony producers convince themselves in order to make them seem they know what is good for the show. Their stubborn attitude cost them dearly. Corden scrapped through three years ago with a bearable presentation. He should not have returned for a second series but with this Gavin and Stacey TV show ending and assumed to be the nation’s biggest favourite show, the Brits pounced. It was OK as a show, but wasn’t to the scale of heightened appreciation. The only way the Brits could possibly have this would be to parachute in Ricky Gervais. Golden Globes anyone? Although, now one has mentioned it, the Brits should be gracious to offer me a role producing, strategizing or in the audience typing my ivory keys on my keyboard. J I can get you what you need, but don’t go abusing it. The Brits is in need of serious revamps and PR.

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I am a lover and supporter of the Arts and have immense time for it and others should get more involved for our culture and in-depth growth as human beings. This aside, Damien Hirst is a great artist whom I respect. However, those ‘Awards’ with a white statue and polka dot mess all over it looks more reminiscent of a Yazoo milk bottle. They are ugly. Awards should never be such and are an ‘Award’ meaning high levels of prestige and to acquire such a rare and exceptional feat of talent recognition is vital in the gong. I would be embarrassed if I won that and quite possibly refuse it! Marlon Brando eat your heart you!

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OK, enough gabbing on the poor show structure, what of the awards themselves?

British Male Solo Artist – Ben Howard

British Breakthrough Act – Ben Howard

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British Female Solo Artist – Emeli Sande

British Group – Mumford & Sons

International Male Solo Artist – Frank Ocean

International Group – Black Keys

Live Act – Coldplay

British Single – Skyfall, Adele

British Producer – Paul Epworth

Critic’s Choice – Tom Odell

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Best Album – Our Version of events, Emeli Sande

Brits global success (International Sales of 2012) – One Direction

International Female Solo Artist – Lana Del Rey

Special Recognition – War Child

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He’s come in for a lot of stick. Perhaps not his fault, who knows, however, WHO is Ben Howard? I m extremely well rounded and into new, alternative, indie and all rising music with an ear to the ground, but even I am stumped by Ben Howard.

The Brits felt it should honour moody Olly Murs with a nomination after talking about being snubbed for his rather meek music. While Olly may be a lovable guy, his music is somewhat off. This is no popularity contest. Calvin Harris was also nominated, alongside Richard Hawley and Plan B. While I am in favour of none of the nominees, though obvious decision to win should be Plan B, if the Brits didn’t want obvious pandering to make a farce of the show, how about nominating credible candidates?

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Corden and the Brits were so obsessed with “patting themselves on the back” as Matthew Wright expressed on Friday morning’s The Wright Stuff, on Channel 5, Corden spoke to music insiders of the mainstream like record boss Simon Cowell, DJ Nick Grimshaw, singer Robbie Williams and others in terrible exchanges that were pointless, drab and did nothing for the show and all about ego. In contrast, those winners of the evening were not anywhere in the mainstream, apart from Cowell brainchild’s One Direction. Thanks for turning up, Si. I’m still awaiting a response, though never get one. You know what for. Obsessed with a tele camera, tanktop and media coverage, mogul Cowell uttered a few minimal words whilst chewing gum as he squawked.

An award ‘made’ for One Direction to encourage viewers to tune in was a practise that ate into any credibility the Brits hoped to have. ‘Hey, got an idea. Let’s nominate One D and we can get all the kids to watch.’ Have you forgotten that the demographics watching, past the watershed, no less are grown-ups, adults and matured teens? Sharon Osbourne’s epic fail attempting to make a penis joke about Harry Styles from a mother at sixty year old was unappealing. Mrs. O had also been previously involved in an online row with daughter Kelly’s fight with Lady Gaga earlier this year.

“So Macho! He’s gotta be…”

No gripes with Lana Del Rey, here! Deserved.

Adele won the best single for Skyfall. After last year’s doomed mistake, in which Adele responded with a deserved flipping of the bird for cutting her speech off, this year gave a humourous video message, in which she was rehearsing for the Oscars, as mentioned, and also stated she would keep it short. Producers said that it was preparing to “right that wrong” tonight for last year’s bungle. Cutting off Adele is like cutting off Meryl Streep at the Golden Globes or other Oscar people who have sheer prominence to the ceremony for their talent. You do not do so, so easily. If timing is an issue then you should have cu others of to allow space for people you know are coming up and need allocation.

Last year’s Brits flying faux pas!

The Brits were all over the place and have lost yearly viewers however this year’s crippling stumble has seen thousands turn their TV attention elsewhere. How can music media barons in charge of productions as big as this, and certain others previously addressed by FalseFabs, get it so wrong? Does it imply, which it does, that the producers are so out of touch with the changing and reality of the world that it goes on its statistics which actually tell you nothing about what is necessary to adhere to? Take a step back and get those needed on board instead of flaunting your own stylist principals which lack exactly that. The ceremony is non-existence, unworthy, and of no interest to be there. It’s simply become a waste of time. Change it, or scrap it! It can be saved, but those in charge may not know how to do so. Think!

The Big Society. A day in the life. 1:1

The Big Society. A day in the life. 1:1

 

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So today’s venture into the outside proved an interest into the so called ‘Big Society’  that David Cameron prattles on about in the United Kingdom in stabilising the country in a democratic state.  Built on many perplexing formations, today’s instance was delivered in two forms.

The first, sitting on the bus next to some middle aged man who after five minutes, decided to lean in and mutter in my ear. “How are you” he began. I was taken aback, as many common folk in London do not speak to one another, but I was pleasant to listen.

He prompted to ask me, “are you a chusti?” As a mutter of quietened tone and hard of hearing I lean further in asking for a repeat. “Are you a chusti?”

“What’s a chusti?” I naively reply.

“Do you go to church?”

“No.”

He decides instantly after to ask me if I can lend him some money for something I can’t hear what. Instantly offended and unsure what to think in a split second, he chooses to stop asking.

Just because a guy sits on a bus respectfully and bothers no one with dignity and grace does not mean they are a Christian, or even religious in any right. Why must I always endure other people’s issues when minding my own business? To top it all, when he gets off the bus, he pulls out a bundle of cash! Diabolical! Do I look like I have enough money to support myself, either? Yet asking me for a hand-out when the chieftain of benefits blitz David Cameron has rendered me poorer than poor? The cheek of asking me for a charitable donation that isn’t charitable and filled for your greed? That is what is highly offensive. Please do not bother me on public transport asking for money which I don’t have. Goodness sake. People wonder why charity organiser’s now get a rough ride.

 

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It didn’t end there, Boarding my second bus home, a youthful white gent approaches two English-Muslim teens if they would like a free education, “paid for by the government and you get a £10,000 grant for it”  he adds. The girls laugh him off and say no, they are already in education. He instantly walks past looking me up and down in a split second, as a white, British young male and dismisses me thoroughly. Thanks a bunch! What is this country now turning into? Free education for special demographic targets, yet any white Britons in decreasing numbers must be ignored? And you wonder why numbers in the BNP rose?

 

Shutting out ordinary citizens of white British origin is becoming a deadly minority. David Cameron’s ‘Big Society’ is excluding the hard working, or tough attempting business minds or educational beings unable to afford it shut down by the system to get quota’s up? This is a disgraceful attitude that is underlining a deadly society of fractured segmentation rather than unified support.

Source: Huffington Post UK

And before anyone chooses to moan in response. I have friends of all ethnicities and sexualities and have respect of  numerous  cultures. I take no sides in multicultural society, but I have stood by and allowed it to go unmentioned for centuries and this is unacceptable by the government, and I would say the same for any other societies or backgrounds I see in disrepute.

So the question is, what exactly is this ‘Big Society’ that David Cameron blurts out? Stating it “does what it says on the tin” what exactly is the message on the tin. Back in the days of rationing we never knew if the contents were baked beans, ambrosia rice/pudding or spotted dick! So, Mr. David Cameron, what exactly is in the tin?

 

 

Music ones to watch for 2013

After listening to all those bellow’s music to fully critique with advice and see just who may have the best chance/s to make it big in 2013, though I’m aware most who only review a band or singer don’t even hear their sound. These are just some of the many rising, but most profitable for stardom.

Tom Odell

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Outstanding tone, depth and charismatic undertones, equipped with piano tinkering greatness and evangelic vocals, Tom Odell is the biggest grower available to the business this year. Capturing fans with poise, precision and piquing their interest for the next coming moment carrying the listener along with depth, gothic undertones and rich numbness immobilising listeners in the sound becomes a raw talent many may instantly dismiss though for those who ‘get it’ are deeply immersed into the empathic journey from Odell expertly.

Willy Moon

Willy Moon

Willy Moon creates originality, exception and class from the offset. With an extremely cool, vibrant and likeable presence, Moon, who will do his ’own thing’ and do it exceptionally well added with intense beat and a pounding groove Wil has everyone eating out of the palm of his hand. With performances just as slick as his hair, it’s a miracle music execs have left him alone for so long.

A*M*E

A-M-E

On Gary Barlow’s radar and allowed to mature in her own world while giving flawless performances at the age of just eighteen, A*M*E’s launch with record “Play The Game Boy” was sharp, sufficient and cleverly done from such a young, debuting star, capable of bigger options. Now snapped up by Sony A*M*E plans to succeed her single with an album in 2013.

Alt-J

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Winners of the Barclaycard Mercury Music Prize late last year, students Alt-J have a rapturous sound filled with tender beats perfectly used in light manner to endorse the sound tentatively and guide the listener to their own understanding of the sound that encapsulates quality. Let’s hope they get further recognition and album releases in the coming future from the business.

Laura Mvula

laura mvula

Instant beat and jingle encouragement of beats to instantly gain interest from audience draws the eye, or ear, to Mvula’s sweet yet raw sound. The ringing sound synonymous with Mvula rings highly for all in tune with her generous offerings. Being billed as a young Nina Simone is a tough and possibly unfair comparison for anyone, once compared, they transform stuck in the shadow, though Mvula has her own credentials the sound is both distinct and similar but developed her own style making her a true one to watch where big things are expected.

Aluna George

ALUNAGEORGE

Smooth, stylistically structured and unafraid to do their own ‘thing’ AlunaGeorge put in an alternative music scene set with smooth electro beats, charisma and depth. Numerous levels opened up when hearing this band may open up brighter prospects over the next year. In contrast with the upbeat songs also maintain the style accordingly. Certainly captures attention instantly with music alone, first and foremost.  Palma Violets

Angel Haze

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Strong rap style with expletives and rapid ad libs, Haze may shock some initially with the extreme language, however the upcoming American rapper has a strong style, knows where her direction is at and wont apologise for remaining in charge of her creativity. Instantly compared to others as is the line paved out for all of these acts, Haze has made headway on her own merits. Her style is good, fresh and new, but if the beat doesn’t modify after six months into a bundle of records sounding completely similar, Haze will be swallowed by the musical juggernaut and lost in the system instead of aiming to breakout of it. Haze has also received numerous comparisons to the mesmeric Azaelia Banks. Perhaps not her fault, though if music producers or indeed Haze adopt this route, they may as well pack up and go home now.

HAIM

HAIM

Three piece girl band HAIM sport a subtle tone while adding a girl next door attitude equipped with instruments and non-conformist norms, however lacks a strong punchline to appeal to an audience overall. A sweet band, with smooth vocals. I find their charismatic depth like in Falling to be more appealing than say the slushy nice ones like Don’t Save Me. This may be their best options forward, but needs to gather an upbeat style somewhere inside for today’s market.

Kodaline

Cold soar … Kodaline

Kodaline’s mellow, soft and smooth expression carries the interest highly in melancholic numbers. Their tender and fragile vocals embedded into the sound and feel of the music is certainly a joy to hear. Able to be carried away with them in the music, highly empowering soul searching acoustic perfection and precise timing of style gives them a unique edge unseen in the business or by any band at all.

Rascals

stunning wedding photography

A fresh band aimed towards a rap/grime R ‘n’ B style with some explicit tone might encourage the market of today’s society somewhat, however I find this uninteresting when it gets into the middle of the songs and towards the end, which makes it a struggle for the group to make an impact the way they wish. The start is sharp and fresh, yet remains constant throughout with no real oomph and only seemingly attempting to interest hip hop audiences and rebellious teens which don’t actually become interested in the music and adapt to setting alone.

Disclosure

DISCLOSURE

Indie, club, pop fusion duo Disclosure add perfect contrast to today’s market filled with high levels of necessity, alternative sound and unique style that encourages all three’s music to reach different levels everytime. Striking a different sound everytime with fans, becoming infused into the sound and morphed into their own reality as a result dispersing all their troubles, stress and entering a plain of freedom, Disclosure are highly needed in the market on a widestream level.

Of the above, the best options for the industry to recognise with priority would be Tom Odell, Disclosure, Willy Moon, Alt-J and A*M*E. Granted you’ll probably all say, these are already, kind of, breakingout. The ones who really are coming through are Laura Mvula, AlunaGeorge and Kodaline.

Should the music business adapt and snare talented individuals, it will remain very healthy with certain talents recognised, maintained and allowed freedom of expression to keep audiences onside.

The Baftas 2013

The BAFTAs 2013

stephen fry

Below is the list of the full winners of the prestigious awards which took place this past Sunday in London.

Best Film – Argo, Grant Heslov, Ben Affleck, George Clooney

Outstanding British Film – Skyfall, Sam Mendes, Michael G.Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

Outstanding Debut by a British Writer, Director or Producer – Bart Layton, [Director] Dimitri Dognais [Producer] – The Imposter

Film not in the English Language – Amour, Michael Haneke, Margaret Ménégoz

Documentary – Searching for Sugar Man, Malik Bendjelloul, Simon Chinn

Animated Film – Brave, Mark Andrews, Brenda Chapman

Director – Ben Affleck, Argo

Original Screenplay – Django Unchained, Quentin Tarantino

Adapted Screenplay – Silver Linings Plybook, David O. Russell

Leading Actor – Daniel Day Lewis, Lincoln

Daniel Day Lewis BAFTA

Leading Actress – Emmanuelle Riva, Amour

Supporting Actor – Christoph Waltz, Django Unchained

Supporting Actress – Anne Hathaway, Les Miserables

Michael Balcon (Oustanding British Contribution to Cinema) – Tessa Ross

 Tessa Ross BAFTA

Original Music – Skyfall, Thomas Newman

Cinematography – Life of Pi,  Claudio Miranda

Editing – Argo, William Goldenberg

Production Design – Les Miserables,  Eve Stewart, Anna Lynch-Robinson

Costume Design – Anna Karenina, Jacqueline Durran

Make up and Hair – Les Miserables, Lisa Westcott

Sound – Les Miserables, Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst

Anne Hathaway BAFTA

Special Visual Effects – Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer

Short Animation – The Making of Longbird, Will Anderson, Ainslie Henderson

Short Film – Swimmer, Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw

EE Rising Star – Juno Temple (public votes)

Outstanding British Contribution to Cinema – Tessa Ross

Fellowship – Alan Parker

Noticeable was the close up shots of the Argo crew from the beginning of the evening throughout  With the sultry, morose Ben Affleck unable to crack a smile and display melancholy mood after a snub from the Oscars, alongside wife Jennifer Garner and the whole crew there including Hollywood’s dream impregnator, George Clooney, any clever onlooker could see the transparency to unfold.

Ian McKellen BAFTA

Presented by Sir Ian McKellen, accurately explaining the Director has the toughest job, rightly so, one has a pure understanding of the difficulty to act, director, plan the vision of the film and station those lieutenants to deliver good on the film from front of house actors to the staging and camera crew. Believe me, I understand to a full extent how difficult one’s job is to control everything when certain product must finally be melded together to place the final draft on screen to deliver the narrative succinctly. I am not without praise for Ben’s big BAFTA bemusement. By the end of the evening it made him smile, but the levels of credibility removed by BAFTA for molly-coddling Argo all day and seemingly caving in to make a niche opening for the ceremony to compete with the Oscars as an awards ceremony was rather saddening.

Ben's Big BAFTA Bemusement

BAFTA used to and still has notoriety, but this act showed the severe levels of bull on offer. This is not a douching on Argo, but let’s face it, it wasn’t as great as it was awarded for. That’s the key issue here.To compete with Oscars, and possibly gather mainstream status in headlines, BAFTA may have placed itself in realms of slight stupidity as a credible intention.

Les Miserables also stole the show with awards, including Anne Hathaway winning the gong for Actress, deservedly so for her great portrayal in the film adaptation of the musical movie.

ang lee BAFTA

Daniel Day Lewis once again became the graceful and talented BAFTA owner for his expert screening in historical biopic Lincoln. Flawless and talented in every right.

Tessa Ross took the BAFTA for Outstanding contribution to British Film. Ross proved to be an exceptional woman with a piercing eye for detail and prepared to take risks on scripts and ideas on film and television to get them on screen when the idea seems too scary or awkward to undertake for mainstream companies worried of PR implications of negativity. Ross, part of Film4, placed faith in those aspirating film makers, and has produced numerous films of style, wit and integrity that wouldn’t have made it elsewhere. Exceptionally earned.

Quentin Tarrentino joined the “club” which he doesn’t usually do, but was welcome for his intense, witty and humourous offerings on screen.

Juno Temple with the now Turquoisal BAFTA

Juno Temple with the now Turquoisal BAFTA

Skyfall won Best British thing. Obvious wasn’t it? An honour to recognise the staple of the James Bond franchise and mirror the box office worldwide numbers. IT did well at the Box Office, and well done for that. However, this was just a sigh of, get it over with and move on. We’ll have more on a coming Bond piece, but until then, Daniel Craig needs to be removed as Bond if the legacy is to continue for the great and sadly departed writer Ian Flemming and composer John Barry, R.I.P.

Quite frankly, Ben Affleck stole the headlines so it did its job. He used to be the Hollywood heartthrob who had a zest for life, which is now seen as moody, serious and highly altered. Try and bring the fun back out, somehow and let loose. Don’t get us wrong, we ‘like’ Ben Affleck and respect his work, but the proceedings were amok with point scoring global scales.

We felt Ang Lee should have got the Director BAFTA, but there you go. This hasn’t been a biased approach to the above responses, but Life of Pi was an exceptional work form Lee and was one of the best nominees in the category, but many not honoured make films for the reason of making film. It would be a pleasure for that to be recognised by awards than headline grabs, which the awards already makes, regardless.